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This volume is not so much a straightforward how-to guide on how to write an artist’s statement as it is an honest meditation on how difficult—and how important—it is for creators to have the facilities to articulate the ethos behind their own work
Sarah Polley’s work as an actor
“What is education in our department
We see how textiles were once dyed with lichen
But also how the Monobloc is indispensable to millions of people for whom a chair is a chair and nothing more
Art Review Sept. 2024 business This volume is not soArtReview, founded in 1949, explores the interactions between contemporary art and a broader culture. Aimed at both a specialist and general audience, it offers a mix of criticism, reviews, commentary and analysis, as well as commissioned artist projects, guides and special supplements.
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